Hans Judenkünig, Joachim Held's 'Ain Schone Kunstliche Underweisung, 1523: Rossina, Ein Welscher Tantz Mit Hupff Auff' came out on May 28, 2021. With Ain Schone Kunstliche Underweisung, 1523: Rossina, Ein Welscher Tantz Mit Hupff Auff being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Nach Willen Dein". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Germany. Ain Schone Kunstliche Underweisung, 1523: Rossina, Ein Welscher Tantz Mit Hupff Auff is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ain Schone Kunstliche Underweisung, 1523: Rossina, Ein Welscher Tantz Mit Hupff Auff by Hans Judenkünig, Joachim Held having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dances: Sic semper soleo | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | G Minor | 0 | 6A | 110 BPM | ||
Con amores, mi madre | Juan de Anchieta, Accentus Ensemble, Thomas Wimmer | D Minor | 2 | 7A | 158 BPM | ||
Passamezzo Antiguo. Recercada 1ª | Diego Ortiz, La Reverencia | C Major | 1 | 8B | 107 BPM | ||
Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 76 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 13 Allegro, n. Allegro assai, n. 15 Allegro | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Neuf basse dances: Basse-danse La Brosse | Pierre Attaingnant, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Capirola : Qui tollis peccata mundi | Heringman | A Major | 0 | 11B | 76 BPM | ||
Ay Que Vivo en Tierra Extraña | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 0 | 3A | 135 BPM | ||
Nephelai (Nymphs of the Clouds) | Michael Levy | A♭ Major | 4 | 4B | 119 BPM | ||
[Suite en la majeur]: III. Sarabande (No. 19) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 115 BPM |
Section: 0.5760524272918701
End: 0.5817575454711914