O Ewigkeit, du Donnerwort, BWV 60: Recitative: O schwerer Gang (Alto, Tenor) - Johann Sebastian Bach, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner Information

Acousticness: 97%
Danceability: 30%
Energy: 4%
Instrumentalness: 0%
Liveness: 14%
Loudness: 64%
Speechiness: 4%
Valence: 4%
Popularity: 7%
Loudness: -21.61 dB

Summary

"O Ewigkeit, du Donnerwort, BWV 60: Recitative: O schwerer Gang (Alto, Tenor)" by Johann Sebastian Bach, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner was released on October 26, 2010. The duration of O Ewigkeit, du Donnerwort, BWV 60: Recitative: O schwerer Gang (Alto, Tenor) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. O Ewigkeit, du Donnerwort, BWV 60: Recitative: O schwerer Gang (Alto, Tenor)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 47 in Bach: Cantatas, Vol. 12 by Johann Sebastian Bach, John Eliot Gardiner. O Ewigkeit, du Donnerwort, BWV 60: Recitative: O schwerer Gang (Alto, Tenor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

O Ewigkeit, du Donnerwort, BWV 60: Recitative: O schwerer Gang (Alto, Tenor) BPM

The tempo marking of O Ewigkeit, du Donnerwort, BWV 60: Recitative: O schwerer Gang (Alto, Tenor) by Johann Sebastian Bach, Robin Tyson, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

O Ewigkeit, du Donnerwort, BWV 60: Recitative: O schwerer Gang (Alto, Tenor) Key

This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

Track	Artist	Key	Camelot	BPM
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile	Joseph Haydn, Kodály Quartet	G Major	9B	106 BPM
Pièces Lyriques, Op. 47 No. 3: Mélodie	Edvard Grieg, Shani Diluka	F Major	7B	105 BPM
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo	Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra	F Major	7B	133 BPM
Nocturne No. 5 in B Flat Major, H.37	John Field, Elizabeth Joy Roe	B♭ Major	6B	65 BPM
French Suite No. 6 in E Major, BWV 817: I. Allemande	Johann Sebastian Bach, Guoda Gedvilaitė	E Major	12B	79 BPM
Waldszenen, Op. 82: 3. Einsame Blumen	Robert Schumann, Mitsuko Uchida	B♭ Major	6B	69 BPM
Sonata in A Minor, L 241	Domenico Scarlatti, Vladimir Horowitz	E Minor	9A	79 BPM
Overture in D Minor, TWV 55:2: Menuet II. Doucement	Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire	F Major	7B	126 BPM
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski)	George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier	C Major	8B	92 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	9A	123 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7597064971923828

End: 0.7641360759735107