チョー・ヨンピル's '永遠のなかへ' had a release date set for January 1, 1984. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. 永遠のなかへ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in チョー・ヨンピル 6集, so we believe that "永遠のなかへ" is a single. 永遠のなかへ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 永遠のなかへ by チョー・ヨンピル is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
きっと、また逢える… | Seiko Matsuda | A♭ Major | 5 | 4B | 138 BPM | ||
海岸通 | Iruka | G Major | 4 | 9B | 75 BPM | ||
花一色 〜野菊のささやき〜(Seiko・Avenue) | Seiko Matsuda | E♭ Major | 2 | 5B | 182 BPM | ||
二輪草 | Mitsuko Nakamura | A Minor | 4 | 8A | 81 BPM | ||
さそり座の女 | 美川憲一 | G Major | 6 | 9B | 172 BPM | ||
秋桜<コスモス> | Masashi Sada | C Minor | 3 | 5A | 135 BPM | ||
南部蝉しぐれ | Kohei Fukuda | F♯ Major | 4 | 2B | 141 BPM | ||
女のみち | Shiro Miya | D Major | 3 | 10B | 141 BPM | ||
北空港 | Keisuke Hama, EunSook Kye | G Minor | 3 | 6A | 96 BPM | ||
狂った果実 | Alice | C Major | 8 | 8B | 83 BPM |