"Five Negro Spirituals from A Child of Our Time: Steal away to Jesus" by Michael Tippett, John Porter, Christopher Robinson was released on 1982. The duration of Five Negro Spirituals from A Child of Our Time: Steal away to Jesus is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Five Negro Spirituals from A Child of Our Time: Steal away to Jesus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 14 in Choral Music by Brahms, Britten, Standford, Tippett, Harris by The Choir of St George's Chapel, Windsor, Christopher Robinson. The popularity of Five Negro Spirituals from A Child of Our Time: Steal away to Jesus is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Five Negro Spirituals from A Child of Our Time: Steal away to Jesus by Michael Tippett, John Porter, Christopher Robinson is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Dream Outro | Philip Yoo | A Major | 1 | 11B | 67 BPM | ||
Four Orchestral Songs, Op. 1: No. 3, Der Seufzer | Hans Krása, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F Minor | 1 | 4A | 83 BPM | ||
The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: V. The Song of the Grave | Richard Strauss, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Minor | 1 | 11A | 61 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 2. Orientale | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | C Minor | 0 | 5A | 81 BPM | ||
King Priam, Ac II Scene 3: All Trojans, all fought bravely (Hector, Priam, Paris, Achilles, Old Man) | Michael Tippett, David Atherton, London Sinfonietta, Thomas Allen, Norman Bailey, Philip Langridge, Robert Tear, David Wilson-Johnson | E♭ Major | 2 | 5B | 135 BPM | ||
A Child of our Time / Part 2: "Go Down, Moses" | Michael Tippett, John Shirley-Quirk, BBC Choral Society, BBC Singers, BBC Symphony Orchestra, Sir Colin Davis | D Major | 4 | 10B | 86 BPM |
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