Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner made "The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l" available on May 3, 2021. With The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart's "Mozart for the Background" album is number 167 out of 185. The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The London Sketchbook, K. 15a-ss (arr. and/or orch. E. Smith) - Divertimento in D: 3. [Contredanse (Allegro)], K.15l by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Stein der Weisen, Act I: Aria. Alle Wetter! O ihr Götter! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Requiem in D Minor, K. 626: 1. Introitus: Requiem - Live | Wolfgang Amadeus Mozart, Karita Mattila, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 2 | 6A | 95 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Requiem in D Minor, K. 626: 5. Sanctus - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Major | 4 | 10B | 90 BPM |
Section: 0.8920633792877197
End: 0.8957037925720215