"3 Songs, Op. 23: Les berceaux, Op. 23, No. 1 (arr. for saxophone and piano)" by Anonymous, Gabriel Fauré, Joël Versavaud, Laura Caravello was released on September 4, 2015. The duration of 3 Songs, Op. 23: Les berceaux, Op. 23, No. 1 (arr. for saxophone and piano) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. 3 Songs, Op. 23: Les berceaux, Op. 23, No. 1 (arr. for saxophone and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Croquembouches by Joël Versavaud, Laura Caravello. 3 Songs, Op. 23: Les berceaux, Op. 23, No. 1 (arr. for saxophone and piano) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Songs, Op. 23: Les berceaux, Op. 23, No. 1 (arr. for saxophone and piano) by Anonymous, Gabriel Fauré, Joël Versavaud, Laura Caravello is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa cunctipotens genitor Deus - Sanctus | Nova Schola Gregoriana, Alberto Turco | C Major | 1 | 8B | 100 BPM | ||
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
Kondak Akafista St. Blz. | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 134 BPM | ||
Kyrie XVII b | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 1 | 9B | 104 BPM | ||
Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | ||
In Monte Oliveti | Schola Gregoriana Del Coro F. Paer | B Minor | 2 | 10A | 142 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Gaudete in Domino semper | Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan, Denise Lebon | G Minor | 4 | 6A | 138 BPM | ||
Tota pulchra es | Coro De La Abadía Benedictina De Santo Domingo De Silos | D Major | 2 | 10B | 137 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM |
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