Béla Bartók, Zoltán Kocsis's '3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto' came out on August 5, 1994. The duration of 3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 21 in Bartók: Works for Solo Piano, Vol. 2 by Béla Bartók, Zoltán Kocsis. Based on our statistics, 3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Studies, BB 81, Sz. 72 (Op.18): 1. Allegro molto by Béla Bartók, Zoltán Kocsis is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Adam Zero: Approach of Autumn | Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones | D Minor | 0 | 7A | 128 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Shostakovich Quartet | G Major | 0 | 9B | 106 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Toccata | Aram Khachaturian, Karine Poghosyan | A♭ Minor | 2 | 1A | 104 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM |
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