"Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro" by Johann Sebastian Bach, Hartmut Haenchen, Kammerorchester "Carl Philipp Emanuel Bach" was released on 1997. With this song being about 5 minutes long, at 4:38, "Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro" by Johann Sebastian Bach, Hartmut Haenchen, Kammerorchester "Carl Philipp Emanuel Bach" is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 15 in Bach: Baroque Concertos by Johann Sebastian Bach, Pinchas Zukerman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro by Johann Sebastian Bach, Hartmut Haenchen, Kammerorchester "Carl Philipp Emanuel Bach" is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | ||
Concerto for 4 Harpsichords, Strings, and Continuo in A minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Raymond Leppard, Andrew Davis, Philip Ledger, Blandine Verlet, English Chamber Orchestra | A Minor | 3 | 8A | 111 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (opening) | Pyotr Ilyich Tchaikovsky, Joseph Banowetz, Slovak Radio Symphony Orchestra, Ondrej Lenard | D♭ Major | 2 | 3B | 85 BPM | ||
Scheherazade, Op. 35: The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev | F Minor | 1 | 4A | 79 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Jenő Jandó | G Major | 0 | 9B | 112 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Water Music Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 2 | 10B | 120 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Brandenburg Concerto No. 2 In F Major, BWV 1047: III. Allegro Assai | Cologne Chamber Orchestra, Johann Sebastian Bach | F Major | 4 | 7B | 112 BPM |
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