- BPM
- 75
- Key
- A♭ Major
- Camelot
- 4B
La Sonnambula, Act 1: Come per me sereno - Vincenzo Bellini, Edita Gruberova/Münchner Rundfunkorchester/Kurt Eichorn, Kurt Eichorn, Muenchner Rundfunkorchester, Munich Radio Orchestra Information
- Acousticness
- 99%
- Danceability
- 32%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 7%
- Valence
- 7%
- Popularity
- 1%
- Loudness
- -21.942 dB
Summary
"La Sonnambula, Act 1: Come per me sereno" by Vincenzo Bellini, Edita Gruberova/Münchner Rundfunkorchester/Kurt Eichorn, Kurt Eichorn, Muenchner Rundfunkorchester, Munich Radio Orchestra was released on January 1, 1995. The duration of La Sonnambula, Act 1: Come per me sereno is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. La Sonnambula, Act 1: Come per me sereno's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edita Gruberova's "Great Moments of Edita Gruberova" album is number 7 out of 44. La Sonnambula, Act 1: Come per me sereno is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Sonnambula, Act 1: Come per me sereno BPM
We consider the tempo marking of La Sonnambula, Act 1: Come per me sereno by Vincenzo Bellini, Edita Gruberova/Münchner Rundfunkorchester/Kurt Eichorn, Kurt Eichorn, Muenchner Rundfunkorchester, Munich Radio Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
La Sonnambula, Act 1: Come per me sereno Key
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I Puritani / Act 1: Ferma! Invan, invan rapir pretendi! | Vincenzo Bellini, Piero Cappuccilli, Luciano Pavarotti, Anita Caminada, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | A Major | 3 | 11B | 172 BPM | |
 | Norma / Act 2: Ah! Del Tebro al giogo indegno | Vincenzo Bellini, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James Levine | F Major | 2 | 7B | 93 BPM | |
 | L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | |
 | La fille du régiment: Il faut partir | Gaetano Donizetti, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | F Minor | 1 | 4A | 70 BPM | |
 | Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | |
 | Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | |
 | Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | |
 | Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | |
 | Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | |
 | Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5821785926818848
End: 0.5940630435943604