"Le petit nègre "Cakewalk", CD 122" by Claude Debussy, Lívia Rév was released on May 1, 1987. The duration of Le petit nègre "Cakewalk", CD 122 is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Le petit nègre "Cakewalk", CD 122's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 33 in For Children: Piano Music for the Young to Play and Enjoy by Lívia Rév, Johann Sebastian Bach, Louis-Claude Daquin, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Robert Schumann, Frédéric Chopin, Franz Liszt, Georges Bizet, Gabriel Fauré, Pyotr Ilyich Tchaikovsky, Heitor Villa-Lobos, André Jolivet, Sergei Prokofiev, Claude Debussy, Béla Bartók, Milosz Magin, Janez Matičič. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Le petit nègre "Cakewalk", CD 122 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le petit nègre "Cakewalk", CD 122 by Claude Debussy, Lívia Rév is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Komm, Gott Schöpfer, Heiliger Geist, BWV 667 (Arr. Busoni for Piano) | Johann Sebastian Bach, Nikolai Demidenko | C Major | 2 | 8B | 82 BPM | ||
pertenece a mi tentacion | loncho brabo | F Major | 0 | 7B | 180 BPM | ||
Préludes, Book 1, CD 125: III. Le vent dans la plaine | Claude Debussy, Lívia Rév | A♭ Minor | 0 | 1A | 169 BPM | ||
Préludes Intérieurs, 1er Cahier: I | Jacques Desbrière, Elizabeth Sombart | B♭ Major | 0 | 6B | 68 BPM | ||
Nutcracker Suite, Op. 17a (Arr. Solo Piano by Giorni): Dance of the Reed Flutes (Danse Des Mirlitons) - Duo-Art 6132 | Pyotr Ilyich Tchaikovsky, Aurelio Giorni, Peter Phillips | D Major | 1 | 10B | 74 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM | ||
Préludes, Book 2, CD 131: IV. Les fées sont d'exquises danseuses | Claude Debussy, Lívia Rév | D Major | 0 | 10B | 67 BPM | ||
Poeme, Op. 32, No.1 in F-Sharp Major - Welte-Mignon 2068 | Alexander Scriabin, Peter Phillips | D Minor | 0 | 7A | 74 BPM | ||
Piano Concerto in F sharp Minor, Op. 10: II. Adagio ma non troppo | Hans Bronsart von Schellendorf, Paul Wee, Swedish Chamber Orchestra, Michael Collins | F♯ Major | 0 | 2B | 79 BPM |
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