Daniel Gregory Mason, Budapest String Quartet's 'String Quartet on Negro Themes, Op. 19: III. Allegro moderato, drammatico (Live)' had a release date set for October 21, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Souvenir (Live)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, String Quartet on Negro Themes, Op. 19: III. Allegro moderato, drammatico (Live)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With String Quartet on Negro Themes, Op. 19: III. Allegro moderato, drammatico (Live) by Daniel Gregory Mason, Budapest String Quartet having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norwegian Peasant Dances, Op. 72: No. 16, Kivlemøyane. Springdans. Introduction. Allegro moderato | Edvard Grieg, Rune Alver | F Major | 0 | 7B | 87 BPM | ||
Nocturne to Luz Ofelia | Leonardo Le San | E♭ Minor | 1 | 2A | 94 BPM | ||
Iberia, T. 105, Book 2: III. Triana | Isaac Albéniz, Peter Donohoe | F♯ Major | 0 | 2B | 66 BPM | ||
Calmly Awaits | Jade Spirit | D♭ Minor | 0 | 12A | 98 BPM | ||
Ballade No. 1 in C Major, Op. 7 | Dian Shuai, Miao Gao | G Minor | 1 | 6A | 77 BPM | ||
アヴェ・ヴェルム・コルプス | Franz Liszt, Miyuji Kaneko | E Major | 0 | 12B | 110 BPM | ||
Das Jahr, H-U 385: No. 7, Juli | Fanny Mendelssohn, Sophia Weidemann | D Minor | 1 | 7A | 64 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai (3) | Maurice Ravel, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 90 BPM | ||
Goldfish | Claude Debussy, Alberto Lizzio, Munchner Sinfonie Orchester | D Minor | 1 | 7A | 78 BPM | ||
Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM |