Georges Bizet, Yvonne Kenny, Alicia Nafé, Gordon Sandison, Geoffrey Pogson, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy's 'Carmen, WD 31, Act II: Suis-nous à travers la campagne' came out on January 1, 1978. With Carmen, WD 31, Act II: Suis-nous à travers la campagne being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 49 in Bizet: Carmen by Georges Bizet, Teresa Berganza, Plácido Domingo, Ileana Cotrubas, Sherrill Milnes, Ambrosian Singers, London Symphony Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Carmen, WD 31, Act II: Suis-nous à travers la campagne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen, WD 31, Act II: Suis-nous à travers la campagne by Georges Bizet, Yvonne Kenny, Alicia Nafé, Gordon Sandison, Geoffrey Pogson, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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