- BPM
- 156
- Key
- G Minor
- Camelot
- 6A
Miniature Suite, for Cello and Piano, H. 192: VII. Moderato - Bohuslav Martinu, Michal Kanka, Jaromir Klepac Information
- Acousticness
- 99%
- Danceability
- 46%
- Energy
- 30%
- Instrumentalness
- 93%
- Liveness
- 11%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 91%
- Popularity
- 0%
- Loudness
- -23.425 dB
Summary
On January 1, 2001, the song "Miniature Suite, for Cello and Piano, H. 192: VII. Moderato" was released by Bohuslav Martinu, Michal Kanka, Jaromir Klepac. With Miniature Suite, for Cello and Piano, H. 192: VII. Moderato being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 21 in Bohuslav Martinů: Small Pieces for Cello and Piano by Bohuslav Martinů, Michal Kanka, Jaromir Klepac. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Miniature Suite, for Cello and Piano, H. 192: VII. Moderato's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Miniature Suite, for Cello and Piano, H. 192: VII. Moderato BPM
The tempo marking of Miniature Suite, for Cello and Piano, H. 192: VII. Moderato by Bohuslav Martinu, Michal Kanka, Jaromir Klepac is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
Miniature Suite, for Cello and Piano, H. 192: VII. Moderato Key
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | |
 | Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | |
 | Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | |
 | Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | |
 | Suite for String Orchestra, JW6 No. 2: VI. Andante | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B Minor | 1 | 10A | 113 BPM | |
 | Loutky, H. 137: No. 5. Tanec loutek (Dance of The Puppets) | Bohuslav Martinů, Giorgio Koukl | E♭ Major | 2 | 5B | 72 BPM | |
 | Martinu: Piano Quartet No. 1, H. 287: I. Poco allegro | Bohuslav Martinů, Domus | F Major | 3 | 7B | 122 BPM | |
 | Sargent Rag | Remersaro Trío | A♭ Major | 3 | 4B | 145 BPM | |
 | Ravel: Introduction et allegro pour flûte, clarinette, harpe et quatuor à cordes, M. 46 | Maurice Ravel, Markus Klinko, Benoît Fromanger, Cyril Lacrouts, Frédéric Laroque, Gérard Torgomian, Maurice Gabai, Pierre Lénert | E♭ Minor | 1 | 2A | 88 BPM | |
 | Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM |
- ISRC
- FRP4Y0911390
- Label
- L-M Records/RCA Records
Section: 0.5910201072692871
End: 0.5950610637664795