Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's 'Don Quixote: Act IV: Amour' came out on January 1, 1995. The duration of Don Quixote: Act IV: Amour is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Don Quixote: Act IV: Amour's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 14 out of 56. Based on our statistics, Don Quixote: Act IV: Amour's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Quixote: Act IV: Amour by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louisina Polka in E-Flat Major, JB 1:1 | Bedřich Smetana, Jan Novotný | E♭ Major | 1 | 5B | 107 BPM | ||
Tempo di Sissone (from Paquita) | Douglas Schultz, Ludwig Minkus | A Major | 2 | 11B | 97 BPM | ||
Raymonda, Act I: Pizzicato | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 0 | 10B | 119 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Allegretto: First Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 119 BPM | ||
Don Quixote: Act I: Street Dancer | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D Major | 0 | 10B | 100 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM |
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