| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| اعترفوا للرب فانه صالح جوقة | Byzantine Chants | F Minor | 2 | 4A | 83 BPM | ||
| 04 - Choir Interlude 1 | Kabarnos | A♭ Minor | 2 | 1A | 70 BPM | ||
| Voice From the Broken Lamp | SUS Coptic Diocese, The Byzantine Choir of St. George Cathedral, جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس, Matteo Solumn | C Major | 1 | 8B | 97 BPM | ||
| Great Doxology 1st Mode | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
| أَيَّتُها السَّيِّدة الكُلِّيُّ قُدسُها | The Choir of Eparchy of Tripoli | D Major | 2 | 10B | 67 BPM | ||
| Ayna Anta Ya Rabby | St. Mary's Coptic Orthodox Choir | D♭ Major | 1 | 3B | 74 BPM | ||
| Shubho L´Tobo | Ninib Lahdo | D Minor | 2 | 7A | 67 BPM | ||
| Τρισάγιον Αποστόλου, Ηχ. Α΄ | Ρωμαίϊκο Σύνολο | B♭ Minor | 3 | 3A | 119 BPM | ||
| Makarismi | Choir of Vatopedi Fathers | D♭ Major | 3 | 3B | 64 BPM | ||
| Kontakion of the Nativity | Rana Nassour-Derbaly | C Major | 1 | 8B | 134 BPM | ||
| Psalm 20 | Mount Lebanon Orthodox Byzantine Choir | A♭ Major | 2 | 4B | 169 BPM | ||
| Psalm 92 | Rana Nassour-Derbaly | F Major | 1 | 7B | 68 BPM | ||
| Psalmul 11 | Marian Moise | C Major | 2 | 8B | 73 BPM | ||
| Beatitudes (The 3rd and 6th Odes of the Canons of the Feast of the Saints of Cyprus, in the First and Plagal Fourth Triphone Modes) | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | G Major | 2 | 9B | 69 BPM | ||
| Hristos Anesti / Христос анести (Христос Воскресе) | Divna Ljubojevic | C Minor | 3 | 5A | 110 BPM | ||
| Exapostilarion (Mode III) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | E Major | 4 | 12B | 137 BPM | ||
| Psalm 134 (Continued) | Rana Nassour-Derbaly | A Minor | 1 | 8A | 66 BPM | ||
| الأودية التّاسعة، باللحن الأول | جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس | D♭ Minor | 3 | 12A | 69 BPM | ||
| What God Is as Great as Our God | Holy Transfiguration Monastery | C Major | 3 | 8B | 76 BPM | ||
| المزمور الخامس والأربعون | جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس | E Major | 2 | 12B | 76 BPM | ||
| Doxastikon, Mode plagal du 2ème : Tous ensemble les Anges dans le ciel... | Petros Lampadarios, Lycourgos Angelopoulos | D Major | 2 | 10B | 104 BPM | ||
| Γ΄ Ωδή | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | D♭ Major | 3 | 3B | 64 BPM | ||
| “Έτη και έτη…” | Χορός Βατοπαιδινών Πατέρων | D♭ Major | 0 | 3B | 137 BPM | ||
| Antiphon XII (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | D♭ Major | 3 | 3B | 133 BPM | ||
| The Angel Cried (Liturgy Version) | Dynamis Byzantine Ensemble | E♭ Major | 6 | 5B | 64 BPM |
الأوديات الأولى والثّالثة، باللحن الأول is a neutral, mid-energy track by جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس from تراتيل أحد الفصح المقدّس, released June 3, 2017. It runs 5:06 at 198 BPM (396 BPM double-time) in B Major (Camelot 1B).
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