"Psalm 139 "O Lord, Thou Has Searched Me Out and Known Me"" by George Martin, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams was released on January 11, 1991. Since Psalm 139 "O Lord, Thou Has Searched Me Out and Known Me" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Psalms of David, Vol. 3: In Jewry Is God Known". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Psalm 139 "O Lord, Thou Has Searched Me Out and Known Me" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 139 "O Lord, Thou Has Searched Me Out and Known Me" by George Martin, Lichfield Cathedral Choir, Mark Shepherd, Jonathan Rees-Williams having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 13 "How Long Wilt Thou Forget Me, O Lord" | Reginald Moore, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | G Minor | 0 | 6A | 88 BPM | ||
Coelos ascendit hodie | Charles Villiers Stanford, Choir of Clare College, Cambridge, Graham Ross | A Major | 4 | 11B | 71 BPM | ||
Like as the Hart | Herbert Howells, The Sixteen, Harry Christophers | C Major | 0 | 8B | 82 BPM | ||
Many That Are First Shall Be Last | Lyle Stutzman, Tapestry Chamber Singers | F♯ Major | 1 | 2B | 87 BPM | ||
Regina cæli | Jean Langlais, Maîtrise de la Cathédrale de Strasbourg | F Major | 0 | 7B | 128 BPM | ||
Magnificat in E Major | Herbert Murrill, Rochester Cathedral Choir, William Whitehead, Roger Sayer | A Minor | 1 | 8A | 105 BPM | ||
グレゴリオ聖歌による4つのモテット作品10よりトータ・プルクラ・エス御身はすべてが美しくあり給う Quatre Motets sur des thémes grégoriens, Op. 10 II. Tota pulchra es | Girl Choristers, Sarah Baldock Conductor, Lay Clerks of Winchester Cathedral | G Minor | 0 | 6A | 64 BPM | ||
I Waited Patiently for the Lord (Psalm 40) | Thomas Attwood Walmisley, Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | C Major | 1 | 8B | 118 BPM | ||
The race that long in darkness pined | St Edmundsbury Cathedral Choir, Scott Farrell | E♭ Major | 0 | 5B | 83 BPM | ||
Kontakion "You descended" and Ikos | Archangel Voices | C Major | 1 | 8B | 140 BPM |
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