"Symphony from Ivy Green: Epilogue" by Mark Camphouse, University Of Miami Wind Ensemble, Elizabeth Curtis, Gary Green was released on January 1, 2003. The duration of Symphony from Ivy Green: Epilogue is about 3 minutes long, at 3:12. Based on our data, "Symphony from Ivy Green: Epilogue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Symphony from Ivy Green". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Symphony from Ivy Green: Epilogue's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony from Ivy Green: Epilogue by Mark Camphouse, University Of Miami Wind Ensemble, Elizabeth Curtis, Gary Green having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gulliver's Travels - Lilliput - Land of the Midgets - Bert Appermont | Harmonie De Charlesbourg, François Dorion | C Major | 1 | 8B | 97 BPM | ||
Transcendent Journey | Rossano Galante, Bundespolizeiorchester München | F Major | 4 | 7B | 132 BPM | ||
2nd Suite for Military Band in F Major, Op. 28 No. 2, H. 106: III. Song of the Blacksmith | Gustav Holst, Dallas Wind Symphony, Howard Dunn | D Minor | 2 | 7A | 97 BPM | ||
Suite from 'Hymn of the Highlands': III. Dundonnell | Koninklijke Biltse Harmonie | F♯ Major | 2 | 2B | 105 BPM | ||
Danza Sinfonica | James Barnes, University of Texas at El Paso Wind Symphony, Ron Hufstader | D♭ Major | 2 | 3B | 124 BPM | ||
Finale from Jazz Suite No. 2 Dmitri Shostakovich/johan De Meij | Johan de Meij | F Major | 2 | 7B | 119 BPM | ||
English Folk Song Suite: II. Intermezzo (My Bonny Boy) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | C Minor | 1 | 5A | 71 BPM | ||
Black Granite | US Continental Army Band | D♭ Major | 2 | 3B | 113 BPM | ||
Radiant Shadows | Julie Giroux, University of North Texas Symphonic Band, Dennis Fisher | F Minor | 1 | 4A | 73 BPM | ||
Celtic Ritual | John Higgins, Midwest Wind Ensemble | A Minor | 2 | 8A | 112 BPM |
Section: 0.5840590000152588
End: 0.5888776779174805