Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica's 'María Manuela: "Era una Noche Fría..."' came out on December 3, 2013. The duration of María Manuela: "Era una Noche Fría..." is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. María Manuela: "Era una Noche Fría..."'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #10 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, María Manuela: "Era una Noche Fría..."'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since María Manuela: "Era una Noche Fría..." by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With María Manuela: "Era una Noche Fría..." being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Buhonero | Grupo de Cantores y Danzas del Ural Balalaikas de Ossipov, Vitali Gnoutov | A Minor | 3 | 8A | 68 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante" (Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Minor | 1 | 7A | 118 BPM | ||
Luisa Fernanda, Acto i: Introducción y habanera del saboyano | José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Estrella Alsina, Pedro Lavirgen | D Minor | 2 | 7A | 88 BPM | ||
La Rosa del Azafrán: Coro de Espigadoras: "Esta Mañana Mu Tempranico" | Jacinto Guerrero, Federico Romero, Guillermo Fernández-Shaw, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Coro de Viudas (La Corte de Faraón) - Remastered | Los Chulapos | D Major | 2 | 10B | 69 BPM | ||
Norma, Act 2 Scene 3: Deh! Non volerli vittime (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
La Verbena de la Paloma: Escena - Habanera - Seguidillas - Final | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Renato Cesari, Teresa Tourné | E♭ Major | 4 | 5B | 87 BPM | ||
Entre Sevilla y Triana: "Un hijo de mi arma" | Ana Maria Iriarte | G Major | 2 | 9B | 72 BPM | ||
Katiuska: Cosacos de kazán | Pablo Sorozábal | C Major | 6 | 8B | 143 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM |
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