"In stiller Nacht, zur ersten Wacht" by Johannes Brahms, Elly Ameling was released on June 16, 1995. The duration of In stiller Nacht, zur ersten Wacht is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. In stiller Nacht, zur ersten Wacht's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 65 in Elly Ameling Edition by Elly Ameling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, In stiller Nacht, zur ersten Wacht's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In stiller Nacht, zur ersten Wacht by Johannes Brahms, Elly Ameling is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 42, Op. 42, MWV A15: Quintetto "Der Herr hat des Tages verheißen" | Felix Mendelssohn, Eiddwen Harrhy, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Major | 1 | 6B | 170 BPM | ||
5 Lieder, Op. 47: III. Sonntag | Johannes Brahms, Bernarda Fink, Roger Vignoles | G Major | 0 | 9B | 73 BPM | ||
Haugtussa, Op. 67: III. Blåbaer-li | Charlotte Hoather, George Todica | F Major | 2 | 7B | 92 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | ||
Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Andreas Schmidt, Cord Garben | D♭ Major | 0 | 3B | 62 BPM | ||
Dhabitude | Channing Geoffrey | E Minor | 2 | 9A | 107 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Evening Songs, Op. 3: No. 4, Když Bůh byl nejvíc rozkochán | Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | E Major | 1 | 12B | 86 BPM | ||
Ich Weiss | Niño Tiro, Nenen Espina, Mary Anne Espina | C Minor | 0 | 5A | 131 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM |
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