"Quintet for 2 Clarinets, 2 Horns & Bassoon (Ed. B. Unger): III. Gavotte" by Anonymous, D. Ray McClellan, Joseph Beverly, Jean Martin-Williams, Peter Riggs, Amy Pollard was released on November 11, 2016. With Quintet for 2 Clarinets, 2 Horns & Bassoon (Ed. B. Unger): III. Gavotte being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in University of Georgia Hodgson Singers, The University of Georgia Wind Ensemble, John P. Lynch, George Foreman's "Music for the Tsars" album is number 5 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, Quintet for 2 Clarinets, 2 Horns & Bassoon (Ed. B. Unger): III. Gavotte's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Quintet for 2 Clarinets, 2 Horns & Bassoon (Ed. B. Unger): III. Gavotte by Anonymous, D. Ray McClellan, Joseph Beverly, Jean Martin-Williams, Peter Riggs, Amy Pollard to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni redemptor gentium | Anonymous, Choralschola der Wiener Hofburgkapelle, Hubert Dopf S.J. | D♭ Minor | 0 | 12A | 82 BPM | ||
Trisagion (I) | Mikhail Strokin, Nana Peradze | D♭ Minor | 3 | 12A | 79 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Lumen ad revelationen Antiphona (Maria Reinigung) Antiphona | Choir Of St. Abuscus | B♭ Major | 2 | 6B | 141 BPM | ||
Liturgical Chants: Ave Maria | Valentin Silvestrov, Karlis Rutentals, Latvian Radio Choir, Sigvards Kļava | B Minor | 0 | 10A | 82 BPM | ||
Vorrei essere un fiore | Coro Santa Veronica, Ilaria Geroldi, Marco Ruggeri | A♭ Major | 2 | 4B | 83 BPM | ||
Milost Mira | St. Peter St. Paul Cathedral Choir of Minsk | F Minor | 1 | 4A | 73 BPM | ||
Messe de la toussaint : Gloria iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | A Minor | 0 | 8A | 109 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
A Marie, Mère de Dieu, Antienne Quomodo | Dom Le Feuvre, Congrégation de Solesme, Choeur des Bénédictins de l'Abbaye de Kergonan | E Minor | 1 | 9A | 95 BPM |
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