"Donizetti: Lucia di Lammermoor, Act 1 Scene 4: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa)" by Gaetano Donizetti, Royal Philharmonic Orchestra/Edita Gruberova/Kathleen Kuhlmann/Nicola Rescigno, Nicola Rescigno, Royal Philharmonic Orchestra was released on January 1, 1995. With this song being about 5 minutes long, at 4:39, "Donizetti: Lucia di Lammermoor, Act 1 Scene 4: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa)" by Gaetano Donizetti, Royal Philharmonic Orchestra/Edita Gruberova/Kathleen Kuhlmann/Nicola Rescigno, Nicola Rescigno, Royal Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edita Gruberova's "Great Moments of Edita Gruberova" album is number 2 out of 44. In terms of popularity, Donizetti: Lucia di Lammermoor, Act 1 Scene 4: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Donizetti: Lucia di Lammermoor, Act 1 Scene 4: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) by Gaetano Donizetti, Royal Philharmonic Orchestra/Edita Gruberova/Kathleen Kuhlmann/Nicola Rescigno, Nicola Rescigno, Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, WD 31 / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti | D♭ Minor | 7 | 12A | 102 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "La pietade in suo favore" (Enrico, Raimondo, Chorus) | Gaetano Donizetti, Tito Gobbi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 103 BPM | ||
Tosca: Act III: E lucevan le stelle … (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Lucia di Lammermoor / Act 3: "Si tragga altrove" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Mary Stuart, A. 43, In. 52, Act III Scene 3: Oh, deign to hear our prayer, merciful Saviour! (Hannah, Mary, Chorus) | Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Angela Bostock, English National Opera Chorus | D♭ Major | 1 | 3B | 81 BPM | ||
Lohengrin / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A Major | 3 | 11B | 82 BPM |
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