Gioachino Rossini, Gianandrea Gavazzeni, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano made "Rossini: Il turco in Italia, Act 1: "Evviva d'amore il foco vitale" (Coro)" available on 1955. With Rossini: Il turco in Italia, Act 1: "Evviva d'amore il foco vitale" (Coro) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rossini: Il turco in Italia, Act 1: "Evviva d'amore il foco vitale" (Coro)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rossini: Il turco in Italia, Act 1: "Evviva d'amore il foco vitale" (Coro) by Gioachino Rossini, Gianandrea Gavazzeni, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vestale, Act I: Scène. Grands dieux ! Soutenez ma faiblesse | Gaspare Spontini, Marina Rebeka, Aude Extrémo, Stanislas de Barbeyrac, Tassis Christoyannis, Nicolas Courjal, David Witczak, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Gianni Schicchi: O Simone? | Giacomo Puccini, Riccardo Cassinelli, Nicoletta Curiel, Eva Podles, Orazio Mori, Enrico Fissore, Roberto Alagna, Giorgio Giorgetti, Barbara Guerrini, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 2 | 8B | 68 BPM | ||
Pagliacci / Act 2: "E dessa! Dei, come è bella" | Ruggero Leoncavallo, Ingvar Wixell, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | A Major | 2 | 11B | 77 BPM | ||
Don Pasquale - original version / Act 3: "Quel guardo il cavaliere" | Gaetano Donizetti, Kathleen Battle, Metropolitan Opera Orchestra, James Levine, Max Epstein | A♭ Major | 3 | 4B | 149 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
Rossini: Il turco in Italia, Act 1:" Io stupisco, mi sorprende" (Fiorilla, Selim, Geronio, Narciso) | Gioachino Rossini, Nicola Rossi-Lemeni, Franco Calabrese, Gianandrea Gavazzeni, Nicolai Gedda | C Major | 3 | 8B | 139 BPM | ||
Rusalka, Op. 114 / Act 3: Milácku, znás mne, znás? | Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 170 BPM | ||
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM |
Section: 0.654914379119873
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