"5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. A. Spalding)" by Johannes Brahms, Rachel Barton Pine, Matthew Hagle was released on November 16, 2018. The duration of 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. A. Spalding) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. A. Spalding)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Lullabies by Rachel Barton Pine, Matthew Hagle. The song's track number on the album is #1 out of 28 tracks. The popularity of 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. A. Spalding) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. A. Spalding) by Johannes Brahms, Rachel Barton Pine, Matthew Hagle has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. A. Spalding) being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 3 in F Major | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | F Major | 1 | 7B | 83 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 9 in E Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | B Minor | 1 | 10A | 106 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Tchaikovsky : String Quartet No.1 in D major, Op.11 : II Andante cantabile | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantin Orbelian, Moscow Chamber Orchestra | B Major | 1 | 1B | 94 BPM | ||
Vocalise Opus 34 No. 14 | Sergei Rachmaninoff, Nicola Benedetti | D♭ Minor | 1 | 12A | 92 BPM |
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