"Gli strali d'amore (after Italian arias by A. Campra): Recitative: Alle vaghe lusinghe (Leonora)" by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza was released on October 4, 2011. With Gli strali d'amore (after Italian arias by A. Campra): Recitative: Alle vaghe lusinghe (Leonora) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 34 in Campra: Gli strali d'amore by Fabio Bonizzoni. The popularity of Gli strali d'amore (after Italian arias by A. Campra): Recitative: Alle vaghe lusinghe (Leonora) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gli strali d'amore (after Italian arias by A. Campra): Recitative: Alle vaghe lusinghe (Leonora) by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 5 in A Minor, Op. 1: II. Allegro | Salvatore Lanzetti, Agnieszka Oszanca, Maria Misiarz, Fabio Bonizzoni, Gabriele Palomba | B Major | 2 | 1B | 146 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Pièces de Clavecin, Livre I: XIII. La Genty | Claude Balbastre, Christophe Rousset | A♭ Major | 5 | 4B | 84 BPM | ||
Pièces de clavecin: No. 9, Vivement, H. 208 | Francesco Geminiani, Fabio Bonizzoni | F Major | 4 | 7B | 138 BPM | ||
La Senna festeggiante, RV 693: Part I: Aria: Se qui pace tal'hor va cercando (L'Eta dell'Oro) | Antonio Vivaldi, Yetzabel Arias Fernandez, Martin Oro, Sergio Foresti, Fabio Bonizzoni, La Risonanza | F♯ Minor | 1 | 11A | 89 BPM | ||
Sonata in D Minor, R. 117: I. Molto moderato | Antonio Soler, Richard Lester | F♯ Minor | 4 | 11A | 102 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Se tu non lasci, HWV 193: Quando non ho più core | George Frideric Handel, Rossana Bertini, Claudio Cavina, Fabio Bonizzoni | D♭ Major | 1 | 3B | 116 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM |
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