Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel, Peter Schneider made "Die Puppenmacherin, Szene 1" available on 2016. The duration of Die Puppenmacherin, Szene 1 is about 3 minutes long, at 3:17. Based on our data, "Die Puppenmacherin, Szene 1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 22 in Die haarsträubenden Fälle des Philip Maloney, No.97 (Das geheimnisvolle Haus, Die eiserne Reserve, Die Puppenmacherin) by Philip Maloney, Roger Graf, Michael Schacht. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Die Puppenmacherin, Szene 1's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Die Puppenmacherin, Szene 1 by Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel, Peter Schneider is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
027 - Das Monster von Burgeck - Teil 16 | HUI BUH neue Welt | A♭ Major | 6 | 4B | 94 BPM | ||
Kapitel 15 - Roboter [Wieso? Weshalb? Warum? ERSTLESER Folge 14] | Wieso? Weshalb? Warum?, Wieso? Weshalb? Warum? Erstleser, Annette Neubauer | B♭ Major | 3 | 6B | 127 BPM | ||
Die zertanzten Schuhe - Kapitel 4 | Grimms Märchen, Brüder Grimm, Peter Weis, Bodo Primus, Jonas Minthe, Christian Stark, Eva Michaelis, Ingeborg Kallweit, Ursula Wüsthof, Leon Reichert, Helmut Zierl, Horst Naumann, Regine Lamster, Manfred Liptow, Reinhilt Schneider, Bernd Kreibich, Gerlinde Dillge, Jean Paul Baeck, Hans Bayer, Patrick Bach, Silke Horvath, Dana Fischer | A Major | 6 | 11B | 118 BPM | ||
Fall 4: Der dicke Schmutz - Teil 08 | Die Fuchsbande | C Major | 6 | 8B | 44 BPM | ||
Kapitel 28: Botschaft von MEDUSA (Folge 23) | Jan Tenner | B♭ Minor | 4 | 3A | 60 BPM | ||
Geboren am 1. August, Szene 1 | Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel, Peter Schneider | G Major | 5 | 9B | 116 BPM | ||
Yoshi ist weg! - Teil 09 | Der kleine Hui Buh | D♭ Major | 4 | 3B | 69 BPM | ||
12 - Der Unsichtbare - Injektion des Bösen - Teil 11 | Gruselserie | C Minor | 1 | 5A | 80 BPM | ||
Hans im Glück - Kapitel 2 | Grimms Märchen, Brüder Grimm, Peter Weis, Bodo Primus, Jonas Minthe, Christian Stark, Eva Michaelis, Ingeborg Kallweit, Ursula Wüsthof, Leon Reichert, Helmut Zierl, Horst Naumann, Regine Lamster, Manfred Liptow, Reinhilt Schneider, Bernd Kreibich, Gerlinde Dillge, Jean Paul Baeck, Hans Bayer, Patrick Bach, Silke Horvath, Dana Fischer | A Major | 6 | 11B | 118 BPM | ||
Die Qual der Wahl, Szene 4 | Philip Maloney, Roger Graf, Michael Schacht, Jodoc Seidel | A Major | 4 | 11B | 80 BPM |
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