Orquesta Aragón made "Calle 22" available on April 8, 1955. The duration of Calle 22 is about 3 minutes long, at 3:09. Based on our data, "Calle 22" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 57 in the song's album "Presentando a la Orquesta Aragón". In this album, this song's track order is #48. Furthermore, we believe that the track originated from Germany. The popularity of Calle 22 is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Calle 22 by Orquesta Aragón having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No Estás En Nada | Justo Betancourt | G Minor | 7 | 6A | 105 BPM | ||
Cubita La Bella | Emir Boscán y los Tomasinos | A♭ Major | 5 | 4B | 98 BPM | ||
Cachita | Orquesta Aragón | G Major | 3 | 9B | 103 BPM | ||
Payaso | Nelson Y Sus Estrellas | F Major | 5 | 7B | 104 BPM | ||
Rumbera Mayor | Melcochita | A Minor | 3 | 8A | 194 BPM | ||
La Flauta de Bartolo | Joe Quijano | A Major | 7 | 11B | 134 BPM | ||
Pare Cochero | Orquesta Aragón | F Minor | 5 | 4A | 90 BPM | ||
Yenquele Maria | Charlie Palmieri | G Major | 9 | 9B | 152 BPM | ||
No Vuelvas Por Mi Perdón | Rey Caney | G Minor | 3 | 6A | 103 BPM | ||
Tremendo Rumbón | Joe Cuba | B♭ Minor | 8 | 3A | 109 BPM |
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