"Bass Clarinet Quintet: I. —" by Ulrich Leyendecker, Minguet Quartett, Volker Hemken was released on 2015. Bass Clarinet Quintet: I. — is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The track order of this song in Ulrich Leyendecker, Minguet Quartett, Volker Hemken's "Leyendecker: String Quartets Nos. 1-3 & Bass Clarinet Quintet" album is number 5 out of 8. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Bass Clarinet Quintet: I. —'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bass Clarinet Quintet: I. — by Ulrich Leyendecker, Minguet Quartett, Volker Hemken to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Sarah Chang, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | ||
A | Jeremymus | F♯ Minor | 0 | 11A | 141 BPM | ||
Suite of Preludes: No. 2, Affettuoso | Kazimierz Serocki, Miyako Arishima | D♭ Minor | 0 | 12A | 135 BPM | ||
Three Miniatures for Solo Violin: I. A Lullaby for Lalit | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 2 In G Major: Allegretto scherzando | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Préludes, Book 1, L. 117: No. 11, La danse de Puck (Excerpts Arr. J. Corbett & S. Seiler for Clarinet & Harp) | Claude Debussy, Duo Imaginaire | F Minor | 0 | 4A | 143 BPM | ||
Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": II. Andante pastorale | Carl Nielsen, Lina Johnson, Yngve Søberg, Bergen Philharmonic Orchestra, Edward Gardner | F♯ Major | 1 | 2B | 81 BPM | ||
Martin: Ballade III | Frank Martin, David Bruchez, Ariane Haering | A Major | 1 | 11B | 96 BPM |
Section: 0.9331669807434082
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