Broads in The '40s - Rachel Feinstein Information

Acousticness
73%
Danceability
50%
Energy
76%
Instrumentalness
0%
Liveness
84%
Loudness
86%
Speechiness
90%
Valence
55%
Popularity
Loudness
-8.507 dB

Summary

Rachel Feinstein made "Broads in The '40s" available on 2011. For a fairly short song, this song is "Broads in The '40s" is considered an explicit song with a duration of 1:05. There are a total of 15 in the song's album "Thug Tears". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Broads in The '40s is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Broads in The '40s BPM

With Broads in The '40s by Rachel Feinstein having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Broads in The '40s Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
News & Jiffy Lube by Chris PorterNews & Jiffy LubeChris PorterA♭ Major74B123 BPM
Deli Offcuts by Tommy CampbellDeli OffcutsTommy CampbellC Major88B97 BPM
Only Whores Wear Purple by Rachel FeinsteinOnly Whores Wear PurpleRachel FeinsteinE Major912B58 BPM
Cops and Criminals by John MulaneyCops and CriminalsJohn MulaneyG Minor96A87 BPM
Nate Doesn’t Listen by Nate BargatzeNate Doesn’t ListenNate BargatzeG Major59B134 BPM
This Cut Is Too Evil To Name by Dana GouldThis Cut Is Too Evil To NameDana GouldB Minor610A87 BPM
Intro / Could It Be Me by Big Jay OakersonIntro / Could It Be MeBig Jay OakersonA♭ Major94B58 BPM
Turtleman by Al MadrigalTurtlemanAl MadrigalF Major97B78 BPM
Detroit Rock City by Kyle KinaneDetroit Rock CityKyle KinaneF Major97B93 BPM
A Good Death by Tom SeguraA Good DeathTom SeguraF Major57B110 BPM
ISRC
US85P1112310
Label
L-M Records/RCA Records

Section: 0.6098182201385498

End: 0.6146805286407471