Francisco José de Castro, La Real Cámara made "Trio Sonata, Op. 1 No. 3: III. Presto di sarabanda. Allegro" available on May 27, 2016. With Trio Sonata, Op. 1 No. 3: III. Presto di sarabanda. Allegro being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francisco José de Castro, Mitzi Meyerson's "Jones: 8 Setts of Lessons for the Harpsichord" album is number 11 out of 38. On top of that, Spain appears to be the country where this track was created. The popularity of Trio Sonata, Op. 1 No. 3: III. Presto di sarabanda. Allegro is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Trio Sonata, Op. 1 No. 3: III. Presto di sarabanda. Allegro by Francisco José de Castro, La Real Cámara to be Prestissimo (even faster than presto) because the track has a tempo of 215 BPM, a half-time of 108BPM, and a double-time of 430 BPM. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto e fur Blockflote, Traversflote, Streicher und Generalbass: Adagio | Cologne Chamber Orchestra | D Minor | 0 | 7A | 38 BPM | ||
Neubrandenburg Concerto No. 1: II. Aria (Transcr. By Harer, after Bach's Aria variata alla maniera italiana BWV 989) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 0 | 11A | 89 BPM | ||
Bassoon Concerto in G Major, RV 494: I. Allegro | Antonio Vivaldi, Miho Fukui, Ensemble F | F♯ Minor | 6 | 11A | 157 BPM | ||
Première suite à 3 violes in D Major: No. 2, Allemande | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 145 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: III. Allegro poco | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
Overture-Suite in D Major, TWV 55:D1: V. Air 4: Allegro | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 1 | 3B | 95 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: IV. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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