Jule Styne, Robert Hooks, Leslie Uggams, Clifford Allen, Garrett Morris, Ken Scott, Alan Weeks, Buster Davis made "Hallelujah, Baby!: The Slice" available on 1967. The duration of Hallelujah, Baby!: The Slice is about 3 minutes long, at 3:10. Based on our data, "Hallelujah, Baby!: The Slice" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jule Styne, Original Broadway Cast of Hallelujah, Baby!'s "Hallelujah, Baby! (Original Broadway Cast Recording)" album is number 3 out of 15. Based on our statistics, Hallelujah, Baby!: The Slice's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hallelujah, Baby!: The Slice by Jule Styne, Robert Hooks, Leslie Uggams, Clifford Allen, Garrett Morris, Ken Scott, Alan Weeks, Buster Davis to be Allegro (fast, quick, and bright) because the track has a tempo of 143 BPM, a half-time of 72BPM, and a double-time of 286 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
About a Quarter to Nine | Tammy Grimes, Wanda Richert | D♭ Major | 0 | 3B | 141 BPM | ||
Don't Marry Me | Jack Soo, Miyoshi Umeki, Rodgers & Hammerstein | B♭ Major | 2 | 6B | 126 BPM | ||
I Loved You Once in Silence - Guenevere and Lancelot | Vanessa Redgrave, Frances Nero, Lee Herschberg | D Major | 0 | 10B | 134 BPM | ||
There Is Nothin' Like A Dame | Ken Darby Male Chorus | G Major | 3 | 9B | 131 BPM | ||
Getting Married Today (From "Company") | Madeline Kahn, Mark Jacoby, Jeanne Lehmann | F♯ Major | 4 | 2B | 125 BPM | ||
Time after Time | Jule Styne, Plácido Domingo, Eugene Kohn | D♭ Major | 3 | 3B | 119 BPM | ||
Get Me to the Church on Time | Stanley Holloway | D Major | 4 | 10B | 115 BPM | ||
Adelaide's Lament (from "Guys & Dolls") | Vivian Blaine | F Major | 1 | 7B | 90 BPM | ||
Overture | Thoroughly Modern Millie Orchestra, Michael Rafter | A♭ Major | 4 | 4B | 113 BPM | ||
You and I | Arthur Freed, Denny Markass | D Major | 0 | 10B | 88 BPM |
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