"Psalm 130 "Out of the Deep Have I Called unto Thee"" by Walter Parratt, Lichfield Cathedral Choir, Jonathan Rees-Williams was released on January 11, 1991. The duration of Psalm 130 "Out of the Deep Have I Called unto Thee" is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Psalm 130 "Out of the Deep Have I Called unto Thee"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Psalms of David, Vol. 3: In Jewry Is God Known". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. The popularity of Psalm 130 "Out of the Deep Have I Called unto Thee" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 130 "Out of the Deep Have I Called unto Thee" by Walter Parratt, Lichfield Cathedral Choir, Jonathan Rees-Williams having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Requiem: II. Psalm 23 | Herbert Howells, Hannah Holgersson, Ivonne Fuchs, Michael Axelsson, Sofia Vokalensemble, Bengt Ollen | E Minor | 2 | 9A | 81 BPM | ||
Burial Service: III. Thou Knowest, Lord, the Secrets of our Hearts | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 1 | 6A | 105 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Canticle of Love | Sister Maria Therese Sokol, OCD, Saint Luke Productions | D Major | 1 | 10B | 105 BPM | ||
Love Unknown "My Song Is Love Unknown" | John Ireland, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | E♭ Major | 1 | 5B | 113 BPM | ||
Alleluia, Alleluia, Praise the Risen Son! | Steven C. Warner, Newman Vocare Ensemble, The Choral Scholars of University College Dublin, Carolan String Quartet, Jane Bergeron O'Keefe, Michele D. Warner, Meadhbh O'Rourke, Anne-Marie O'Farrell | A Major | 3 | 11B | 122 BPM | ||
Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E Major | 2 | 12B | 81 BPM | ||
Liturgy of St. John Chrysostom: No. 3, Antiphon II (Psalm 145) | Benedict Sheehan, The Saint Tikhon Choir | D Major | 3 | 10B | 79 BPM | ||
Missa Brevis, Op. 102: II. Gloria | Knut Nystedt, Deutscher Jugendkammerchor, Florian Benfer | D♭ Major | 2 | 3B | 97 BPM |
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