Giovanni Battista Bassani, Anónimo, Ensamble Moxos, Raquel Maldonado made "Misa Mo Domingo: Gloria" available on 2017. The duration of Misa Mo Domingo: Gloria is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Misa Mo Domingo: Gloria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Pasión Moxos". In this album, this song's track order is #4. Misa Mo Domingo: Gloria is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Misa Mo Domingo: Gloria by Giovanni Battista Bassani, Anónimo, Ensamble Moxos, Raquel Maldonado having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Biber: Sonata a 7 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 79 BPM | ||
Selig sind die Toten, Op. 11, No. 23, SWV 391 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 67 BPM | ||
XIV. Unser Wandel ist im Himmel | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Sonata No. 5 in A Minor: II. Grave | Giovanni Battista Bassani, Ensemble StilModerno | D Minor | 0 | 7A | 76 BPM | ||
Motetto: Nascere dive puellule | Giovanni Battista Bassani, Le Parlement De Musique, Martin Gester, Salomé Haller, Mercedes Hernandez, Brigitte Vinson, Thierry Dagon, Stephan Van Dyck, Stephan Imboden | A♭ Minor | 1 | 1A | 125 BPM | ||
Laudate pueri Dominum, RV 600: Excelsus super omnes gentes | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VII. Domine Deus, Agnus Dei: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 120 BPM | ||
Messa Delli Apostoli: Tocata avanti la Messa Delli Apostoli | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | E♭ Minor | 3 | 2A | 82 BPM | ||
Glosada LXVI | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 90 BPM |
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