"Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir)" by Robert Schumann, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi was released on January 29, 2021. The duration of Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Villa-Lobos: Choral Transcriptions by Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi. The song's track number on the album is #4 out of 15 tracks. Based on our statistics, Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) by Robert Schumann, Orquestra Sinfônica Do Estado De São Paulo, Valentina Peleggi has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kinderszenen, Op. 15: No. 7, Träumerei (Arr. H. Villa-Lobos for Choir) being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Ravel: Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Boris Berezovsky | F♯ Major | 0 | 2B | 138 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM |
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