"Jolivet: Chant de Linos" by André Jolivet, Emmanuel Pahud was released on January 20, 1998. Jolivet: Chant de Linos appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Paris - French Flute Music". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Jolivet: Chant de Linos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jolivet: Chant de Linos by André Jolivet, Emmanuel Pahud having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
La Belle Excentrique: La Belle Excentrique: Grande Ritournelle | Erik Satie, Alexandre Tharaud, Eric Le Sage | G Minor | 2 | 6A | 108 BPM | ||
Mozart: Flute Sonata in E Minor, K. 304: I. Allegro (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | C Major | 2 | 8B | 92 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: IV. Presto | Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Silvia Careddu, Trevor Pinnock | D Major | 0 | 10B | 99 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 3 Warum sind denn die Rosen so blass | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM | ||
Bach, JS: Flute Sonata in E-Flat Major, BWV 1031: I. Allegro moderato | Johann Sebastian Bach, Emmanuel Pahud, Trevor Pinnock | B♭ Major | 1 | 6B | 82 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM |
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