Sergei Prokofiev, Stanislav Gorkovenko made "Peter and the Wolf, Op. 67: Andantino" available on February 1, 1994. With Peter and the Wolf, Op. 67: Andantino being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Prokofiev: Peter and The Wolf/Carnival of the Animals and Other Great Children's Classics". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Peter and the Wolf, Op. 67: Andantino is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Peter and the Wolf, Op. 67: Andantino by Sergei Prokofiev, Stanislav Gorkovenko having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Concerto for Trumpet and Orchestra in E-Flat Major: III. Allegro vivace | Joseph Haydn, Crispian Steele-Perkins, English Chamber Orchestra | G Major | 0 | 9B | 110 BPM | ||
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, "Organ": Maestoso - Allegro | Camille Saint-Saëns, Orchestre Du Capitole De Toulouse, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 4 | 8B | 98 BPM | ||
Waltzes, Op. 39: Waltz Nr. 15 in A-Flat Major | Johannes Brahms, Karin Lechner | C Minor | 1 | 5A | 121 BPM | ||
Variations on an Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Royal Philharmonic Orchestra, Norman Del Mar | E♭ Major | 1 | 5B | 76 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Little Songs, Series 2: No. 7, Melody in E-Flat Major | Sergei Prokofiev, Alexandre Dossin | B♭ Major | 0 | 6B | 92 BPM | ||
Trout Quintet: Theme and variations | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM |
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