Jerry Bock, Paul Hecht, David Garfield, Allan Gruet, Timothy Jerome, Chris Sarandon, Keene Curtis, The Rothschilds Ensemble, Milton Greene, The Rothschilds Orchestra made "The Rothschilds: A Musical: Bonds" available on 1970. The duration of The Rothschilds: A Musical: Bonds is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Rothschilds: A Musical: Bonds's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Rothschilds: A Musical (Original Broadway Cast Recording)". In this album, this song's track order is #18. The Rothschilds: A Musical: Bonds is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Rothschilds: A Musical: Bonds by Jerry Bock, Paul Hecht, David Garfield, Allan Gruet, Timothy Jerome, Chris Sarandon, Keene Curtis, The Rothschilds Ensemble, Milton Greene, The Rothschilds Orchestra having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rothschilds: A Musical: Have You Ever Seen a Prettier Little Congress? / Stability | Jerry Bock, Keene Curtis, The Rothschilds Ensemble, Milton Greene, The Rothschilds Orchestra | E♭ Major | 3 | 5B | 72 BPM | ||
Everything's Coming Up Roses | Imelda Staunton | A Major | 5 | 11B | 134 BPM | ||
Matchmaker | Laura Michelle Kelly, Tricia Paoluccio, Sally Murphy, Lea Michelle, Molly Ephraim | E Major | 2 | 12B | 78 BPM | ||
Anatevka: Hochzeitstanz | Jerry Bock, Seefestspiele Mörbisch, David Levi | G Major | 4 | 9B | 135 BPM | ||
Tradition | Fiddler On The Roof Company | C Major | 3 | 8B | 78 BPM | ||
We Both Reached for the Gun | Gwen Verdon | B Major | 4 | 1B | 138 BPM | ||
Get Me to the Church on Time | Stanley Holloway | D Major | 4 | 10B | 115 BPM | ||
42nd Street | Wanda Richert, Lee Roy Reams, 42nd Street Ensemble | C Major | 6 | 8B | 87 BPM | ||
1776: But, Mr. Adams | Sherman Edwards, William Daniels, Rex Everhart, David Vosburgh, Henry Le Clair, Ken Howard, Peter Howard | F Major | 3 | 7B | 128 BPM | ||
All for the Best | Hunter Parrish, Wallace Smith, Godspell (The New Broadway Cast Recording) | G Major | 4 | 9B | 136 BPM |
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