Antoine Reicha, Ivan Ilic made "Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12, Air. Lento" available on September 1, 2018. With Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12, Air. Lento being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Reicha Rediscovered, Vol. 2". In this album, this song's track order is #23. The popularity of Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12, Air. Lento is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Études dans le genre fugué, Op. 97: Études dans le genre Fugué, Op. 97: No. 12, Air. Lento by Antoine Reicha, Ivan Ilic having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.1 in E Flat Minor, Op.33, No.1 | Gabriel Fauré, Pascal Rogé | F♯ Major | 2 | 2B | 129 BPM | ||
8 pièces brèves, Op.84: 5. Improvisation in C sharp minor | Gabriel Fauré, Kun-Woo Paik | D♭ Major | 0 | 3B | 74 BPM | ||
Giulio Cesare, HWV 17: Piangero la sorte mia (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | E Major | 0 | 12B | 70 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
On an Overgrown Path, JW VIII/17, Book 1: No. 3, Come with Us! | Leoš Janáček, Lars Vogt | D Major | 0 | 10B | 131 BPM | ||
Carnaval, Op. 9: No. 18. Aveu | Robert Schumann, Boris Giltburg | G Minor | 1 | 6A | 147 BPM | ||
Lyrical Pieces, Op. 12: No. 4, Elves' dance | Edvard Grieg, Denis Kozhukhin | C Major | 1 | 8B | 123 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Soirées Musicales, Op. 6: II. Notturno | Clara Schumann, David Quigley | F Major | 0 | 7B | 71 BPM | ||
Préludes / Book 1, L.117: 1. Danseuses de Delphes | Claude Debussy, Nelson Freire | A Minor | 2 | 8A | 142 BPM |
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