Anonymous, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Entrée des Parques, de la Vieillesse & de la Tristesse' came out on September 3, 2015. With Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Entrée des Parques, de la Vieillesse & de la Tristesse being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 16 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Entrée des Parques, de la Vieillesse & de la Tristesse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Entrée des Parques, de la Vieillesse & de la Tristesse by Anonymous, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
CondÍtor Alme SÍderum | Anonymous, Choeur des frères dominicains de la province de France | F♯ Minor | 0 | 11A | 139 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
Missae: Agnus Dei | Antonio Lotti, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 75 BPM | ||
Magnificat | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | C Major | 1 | 8B | 70 BPM | ||
Jubilemus salvatori | Adam de Saint Victor, La Maurache, Julien Skowron, Catherine Jousselin, Hervé Lamy, Jean-Louis Paya | B♭ Major | 1 | 6B | 141 BPM | ||
Vidi Aquam | Monks Of The Benedictine Abbey | F♯ Major | 1 | 2B | 79 BPM | ||
Léonin / Pérotin: Magnus Liber / Easter: Pascha nostrum immolatus (à 1) (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir, James O'Donnell | C Major | 1 | 8B | 91 BPM | ||
Sacris solemnis - hymn z uroczystości najświętszego ciała i krwi Chrystusa | Schola Cantorum Gymevensis | C Minor | 1 | 5A | 121 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
We Praise Thee, O God No. 4 in G Major | Lege Artis Chamber Choir, Boris Abalyan | A Major | 1 | 11B | 173 BPM |
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