"Symphony No.9 in E Minor, Op.95 "From the New World": Adagio-Allegro molto" by Hamburg Symphony Orchestra was released on December 23, 2010. Since Symphony No.9 in E Minor, Op.95 "From the New World": Adagio-Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hamburg Symphony Orchestra's "Música Clásica Vol.12: Anton Dvorak" album is number 1 out of 4. In terms of popularity, Symphony No.9 in E Minor, Op.95 "From the New World": Adagio-Allegro molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.9 in E Minor, Op.95 "From the New World": Adagio-Allegro molto by Hamburg Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vals Poetico: Vals poetico: Vals de salon | Felipe Villanueva, Jorge Federico Osorio | F♯ Major | 0 | 2B | 63 BPM | ||
Serenade für Streicher Nr. 13, G-Dur, KV 525: I. Allegro | Alexander Pitamic, Camerata Labacensis | G Major | 1 | 9B | 122 BPM | ||
Concierto No. 4 in F Minor, Op. 8, el invierno: I. Allegro non molto | Münchner Symphoniker, Wilhem Hertz | F Minor | 3 | 4A | 143 BPM | ||
El Mesias, HMV 56: No. 44, Hallelujah | Waldo De Los Ríos | D Major | 5 | 10B | 92 BPM | ||
Piano Concerto No. 1 in D Minor, Op. 61: II. Adagio di molto | Friedrich Kalkbrenner, Hans Kann, Hamburg Symphony Orchestra, Heribert Beissel | C Major | 1 | 8B | 76 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
Cascanueces - Alternate Mix | Orquesta Festival De Praga | F Major | 4 | 7B | 116 BPM | ||
Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | F Major | 1 | 7B | 91 BPM | ||
Minuet 3 - J.S. Bach | Markus Porsklev | G Major | 0 | 9B | 158 BPM | ||
El Cisne | Camille Saint-Saëns, Diez Pianos | G Major | 6 | 9B | 94 BPM |
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