"String Quartet in D minor, Op. 56 "Voces intimae": 1. Andante - Allegro molto moderato" by Jean Sibelius, Emerson String Quartet was released on December 7, 2020. String Quartet in D minor, Op. 56 "Voces intimae": 1. Andante - Allegro molto moderato is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 104 in the song's album "Sibelius - Great Recordings". In this album, this song's track order is #32. Furthermore, we believe that the track originated from Germany. In terms of popularity, String Quartet in D minor, Op. 56 "Voces intimae": 1. Andante - Allegro molto moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet in D minor, Op. 56 "Voces intimae": 1. Andante - Allegro molto moderato by Jean Sibelius, Emerson String Quartet having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
18 Études de genre, Op. 109: No. 13 in D Minor, L'orage | Franz Burgmüller, William Westney | D Major | 2 | 10B | 128 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
The Seven Last Words Of Our Saviour On The Cross, Op. 51, Hob. III:50-56 - Including Intermezzo: 1. Introduzione (Maestoso ed Adagio) | Franz Joseph Haydn, Emerson String Quartet | C Minor | 2 | 5A | 114 BPM | ||
5 Songs, Op. 38: No. 1. Höstkväll | Jean Sibelius, Viktor Rydberg, Marianne Beate Kielland, Petr Popelka, The Norwegian Radio Orchestra | C Minor | 3 | 5A | 133 BPM |
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