Quincy Jones made "Toe Jam" available on January 1, 2004. Since Toe Jam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "The Original Jam Sessions 1969". In this album, this song's track order is #5. The popularity of Toe Jam is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Toe Jam by Quincy Jones having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Who Is She (And What Is She To You) | Gladys Knight & The Pips | D Major | 5 | 10B | 140 BPM | ||
You'll Never Get to Heaven (If You Break My Heart) | The Stylistics | G Major | 5 | 9B | 203 BPM | ||
Until You Come Back To Me - Acoustic Version | Hil St. Soul | C Major | 3 | 8B | 174 BPM | ||
Boogie Nights | Heatwave | B Minor | 6 | 10A | 119 BPM | ||
You Are Everything | The Stylistics | E Minor | 7 | 9A | 171 BPM | ||
Baby, Come To Me | Patti Austin | G Minor | 5 | 6A | 90 BPM | ||
Bluesette | Quincy Jones | G Major | 6 | 9B | 138 BPM | ||
Sparkle | Cameo | D Major | 4 | 10B | 73 BPM | ||
Nothin' You Can Do About It | The Manhattan Transfer | F Minor | 5 | 4A | 76 BPM | ||
After Hours (The Antidote) | Ronny Jordan | F♯ Minor | 5 | 11A | 169 BPM |
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