"Veni, veni Emmanuel (O come, o come Emmanuel) (arr. A.G. Madsen for choir)" by Traditional, Allan Gravgaard Madsen, Margrethe Smedegaard, Stine Vejen, Vocal Group Concert Clemens, Carsten Seyer-Hansen was released on November 4, 2016. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "There Is No Rose: Christmas in the 21st Century". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Veni, veni Emmanuel (O come, o come Emmanuel) (arr. A.G. Madsen for choir) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Veni, veni Emmanuel (O come, o come Emmanuel) (arr. A.G. Madsen for choir) by Traditional, Allan Gravgaard Madsen, Margrethe Smedegaard, Stine Vejen, Vocal Group Concert Clemens, Carsten Seyer-Hansen having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tabortüznel | Lajos Bárdos, Ensemble vocal Filigrane, Jean-Philippe Billmann | D Minor | 1 | 7A | 89 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Credo III | Dan Gibson's Solitudes | D Major | 2 | 10B | 81 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
In Pardisum | Corydon Singers | B Major | 2 | 1B | 82 BPM | ||
Como Poden | Anonymous, Jessica Baran-Surel | A Minor | 5 | 8A | 155 BPM | ||
Pange Lingua Gloriosi, Sing of Glory | Harry Hagan OSB | C Major | 1 | 8B | 127 BPM | ||
Adoramus te, Christe, LV 1083 | Orlande de Lassus, Pro Musica, Szabó Dénes | F Major | 0 | 7B | 70 BPM | ||
Miss De Angelis: V. Agnus Dei | Gregorian Chants, Karel Frana, Boni Puncti | F Major | 1 | 7B | 126 BPM | ||
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM |
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