"Rex Immense, Pater Pie" by Fulbertus Episcopus Karnotensis, The Rose Ensemble, Jordan Sramek was released on June 1, 2014. The duration of Rex Immense, Pater Pie is about 3 minutes long, at 3:05. Based on our data, "Rex Immense, Pater Pie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Road to Compostela". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Rex Immense, Pater Pie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rex Immense, Pater Pie by Fulbertus Episcopus Karnotensis, The Rose Ensemble, Jordan Sramek having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Del Oficio Rimado de Santa Clara, Antífona: Trahit de Testa | Pro Musica Gregoriana, Liliana Mazza | B♭ Major | 0 | 6B | 102 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Graduale: Christus Factus Est, Modo V | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B Minor | 0 | 10A | 132 BPM | ||
Ad Aspersionem: Vidi Aquam | Louis Sclavis, Nicola Pisani, Francesco Caligiuri | F Major | 1 | 7B | 172 BPM | ||
Lamentatio: Lamentatio Jeremia Prophetae | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Minor | 0 | 12A | 130 BPM | ||
Open Unto Me The Gates Of Repentance | The Sirin Choir, Choirmaster: Andrey Kotov | F Minor | 0 | 4A | 78 BPM | ||
Ha di serp'il velen, di tigr'il morso | Sigismondo D'India, Consort Of Musicke, Anthony Rooley | A Minor | 6 | 8A | 100 BPM | ||
Missa "Mater Patris": Introitus. Vultum tuum – cantus planus | Josquin des Prez, Jerycho, Bartosz Izbicki | B Major | 0 | 1B | 129 BPM | ||
Hypakoe of Pascha | St. Symeon Orthodox Church Octet | C Major | 1 | 8B | 130 BPM | ||
Cunctipotens Genitor Deus | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM |
Section: 0.4486382007598877
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