"L'Espiègle, Op. 72: No. 12" by Pyotr Ilyich Tchaikovsky, Sviatoslav Richter was released on 1984. The duration of L'Espiègle, Op. 72: No. 12 is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. L'Espiègle, Op. 72: No. 12's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Tchaikovsky. Recital". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, L'Espiègle, Op. 72: No. 12's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Espiègle, Op. 72: No. 12 by Pyotr Ilyich Tchaikovsky, Sviatoslav Richter having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Swan Lake, Op.20, TH.12 / Act 4: No.27 Danses des petits cygnes (Moderato) | Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Minor | 0 | 3A | 81 BPM |
Section: 0.7714066505432129
End: 0.7749652862548828