"American Songbook VI "Voices from the Morning of the Earth": No. 7, When the Saints Go Marching In" by George Crumb, Ann Crumb, Randall Scarlata, William Kerrigan, David Nelson, Susan Jones, Angela Zator Nelson, James Freeman was released on June 2, 2015. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 12 in Complete Crumb Edition, Vol. 17 by George Crumb, Various Artists, James Freeman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, American Songbook VI "Voices from the Morning of the Earth": No. 7, When the Saints Go Marching In is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of American Songbook VI "Voices from the Morning of the Earth": No. 7, When the Saints Go Marching In by George Crumb, Ann Crumb, Randall Scarlata, William Kerrigan, David Nelson, Susan Jones, Angela Zator Nelson, James Freeman is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Játékok VI, 37b, To Stefánia Mándy (In memoriam Béla Tábor) | György Kurtág, Pedro Alcalde | A Minor | 0 | 8A | 137 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): II. Quietly and with a cruel reverberation | Toru Takemitsu, Kotaro Fukuma | C Major | 0 | 8B | 100 BPM | ||
Cancer - L'abitatore delle acque premordiali | Alessandra Garosi, Adam Simmons, David Jones | E♭ Minor | 0 | 2A | 85 BPM | ||
Reveille, concert study for violin with piano accompaniment | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | A Minor | 0 | 8A | 116 BPM | ||
Sonatas for String Quartet: I. Alpha | Brian Ferneyhough, Arditti Quartet | G Minor | 0 | 6A | 176 BPM | ||
Black Angels, Thirteen Images from the Dark Land, Departure: IV. Devil-music | George Crumb, Quatuor Hanson | A Major | 4 | 11B | 114 BPM | ||
In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
11 Gates: No. 10. Seafloor Meditation (Whispering Mirrors at the Seafloor) | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | F Major | 0 | 7B | 89 BPM | ||
Curious | Frederike Neubacher | D♭ Minor | 0 | 12A | 120 BPM | ||
Concerto pour piano et orchestre: I. Vivace molto ritmico e preciso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Dimitri Vassilakis | B Minor | 0 | 10A | 134 BPM |
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