Freddy Martin & His Orchestra made "Bumble Boogie" available on January 1, 1937. The duration of Bumble Boogie is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Bumble Boogie's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Very Best Of Boogie Woogie". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Bumble Boogie is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Bumble Boogie by Freddy Martin & His Orchestra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lambeth Walk | Eddie Cantor | A♭ Major | 4 | 4B | 161 BPM | ||
You're the Cream in My Coffee | Ruth Etting | G Major | 1 | 9B | 113 BPM | ||
The You and Me That Used to Be | Rudy Vallee and His Connecticut Yankees | F Major | 1 | 7B | 101 BPM | ||
The Way You Look Tonight | The Merry Macs | A♭ Major | 4 | 4B | 97 BPM | ||
Swing Doors | Allan Gray | G Minor | 5 | 6A | 179 BPM | ||
Nobody loves you like I do (From the operetta 'Paganini') | Franz Lehár, Harry Hermann Orchestra, Harry Hermann, Albert Sandler Orchestra, The BBC Dance Orchestra, Christian Chevallier Orchestra, Frank Cordell Orchestra, Freddy Martin & His Orchestra, Group Fifty Orchestra, Harry Hudson's Melody Men, International Novelty Quartet, Jack Hylton Orchestra, London Promenade Orchestra, Mario 'Harp’ Lorenzi Rhythmics, MGM Studio Orchestra, Monia Liter Orchestra, New Concert Orchestra, New Light Symphony Orchestra, The New Mayfair Dance Orchestra, Otto Dobrindt Piano Symphonists, Queen's Hall Light Orchestra, Shilkret's Rhythm Melodists, The Spencer-Hagen Orchestra, Starlight Symphony, Tony Osborne & Orchestra, Wal Berg Orchestra | A Minor | 2 | 8A | 84 BPM | ||
There's No Two Ways About It | Frankie Newton, Slim Gaillard | B♭ Minor | 7 | 3A | 113 BPM | ||
Beyond The Blue Horizon | Jeanette MacDonald, Nelson Eddy | B♭ Major | 3 | 6B | 78 BPM | ||
Kitty from Kansas City | Rudy Vallee | C Major | 5 | 8B | 112 BPM | ||
Murder, He Says | Betty Hutton | B♭ Major | 3 | 6B | 135 BPM |
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