"Aria di Fiorenza" by Girolamo Frescobaldi, Francesco Corti was released on February 16, 2024. The duration of Aria di Fiorenza is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Aria di Fiorenza's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Morra, Theatro dei Cervelli, Francesco Corti's "Music in Golden-Age Florence 1250-1750" album is number 7 out of 49. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Aria di Fiorenza is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aria di Fiorenza by Girolamo Frescobaldi, Francesco Corti to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
Concerto 2 in D Major, Op. 7: I. Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | A♭ Major | 1 | 4B | 191 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Veu que du tout (Ps. 11) | Paschal de l'Estocart, Dominique Visse, Ensemble Clément Janequin | D♭ Minor | 2 | 12A | 115 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
ln Nomine Crye | Christopher Tye, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM |
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