"3 Romanzen, Op. 94 (arr. T. Zimmermann and H. Holl): No. 2. Einfach, innig" by Tabea Zimmermann, Robert Schumann, Hartmut Höll was released on January 1, 2004. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Schumann, R.: Adagio and Allegro / Fantasiestucke / 3 Romanzen / Violin Sonata No. 1 / Marchenbilder". In this album, this song's track order is #6. 3 Romanzen, Op. 94 (arr. T. Zimmermann and H. Holl): No. 2. Einfach, innig is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Romanzen, Op. 94 (arr. T. Zimmermann and H. Holl): No. 2. Einfach, innig by Tabea Zimmermann, Robert Schumann, Hartmut Höll having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
3 Violin Duets (1996 Digital Remaster): I. Praeludium | Pinchas Zukerman, Itzhak Perlman | B Minor | 1 | 10A | 91 BPM | ||
Saint-Saëns: Romance pour cor et orchestre, Op. 36 (Version for Cello and Piano) | Camille Saint-Saëns, Roland Pidoux | F Major | 0 | 7B | 132 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Eduard Brunner, Markus Steckeler, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel | E♭ Major | 3 | 5B | 119 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: II. Nun Laube, Lindlein, Laube - Fugato: Der Gutzgauch auf dem Zaune saß | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | A Major | 0 | 11B | 112 BPM |
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