- BPM
- 71
- Key
- C Major
- Camelot
- 8B
Romeo et Juliette, Op. 64 (Excerpts): No. 51, Funerailles de Juliette - Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony Information
- Acousticness
- 86%
- Danceability
- 12%
- Energy
- 1%
- Instrumentalness
- 92%
- Liveness
- 8%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -28.719 dB
Summary
"Romeo et Juliette, Op. 64 (Excerpts): No. 51, Funerailles de Juliette" by Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony was released on December 27, 1994. Romeo et Juliette, Op. 64 (Excerpts): No. 51, Funerailles de Juliette is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. There are a total of 29 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United States. Romeo et Juliette, Op. 64 (Excerpts): No. 51, Funerailles de Juliette is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Romeo et Juliette, Op. 64 (Excerpts): No. 51, Funerailles de Juliette BPM
With Romeo et Juliette, Op. 64 (Excerpts): No. 51, Funerailles de Juliette by Sergei Prokofiev, Michael Tilson Thomas, San Francisco Symphony having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Romeo et Juliette, Op. 64 (Excerpts): No. 51, Funerailles de Juliette Key
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | |
 | Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | |
 | Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | |
 | Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | |
 | Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | |
 | Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | |
 | Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | |
 | 13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM |
- ISRC
- USBC19501607
- Label
- L-M Records/RCA Records
Section: 0.6295986175537109
End: 0.6338467597961426