Mathilde Côté, Ivy, Joseph Edgar, Myriam Leblanc, Rose Naggar Tremblay, Stéphan Côté's 'Neal y’é plein d’marde' came out on April 22, 2022. Since Neal y’é plein d’marde is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mathilde Côté, Ivy's "La nuit est ma femme (Un opéra d’après Jack Kerouac)" album is number 11 out of 18. On top of that, Canada appears to be the country where this track was created. In terms of popularity, Neal y’é plein d’marde is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Neal y’é plein d’marde by Mathilde Côté, Ivy, Joseph Edgar, Myriam Leblanc, Rose Naggar Tremblay, Stéphan Côté to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
liebesleid (feat. Sigrid Matilda Thordsen) | andreas odbjerg, Sigrid Matilda Thordsen | F♯ Minor | 6 | 11A | 104 BPM | ||
Bum Yn Caru (Cainc Y Datgeiniad) | Einion Edwards | C Major | 1 | 8B | 105 BPM | ||
Tannhäuser / Act III: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | G Major | 6 | 9B | 151 BPM | ||
ACT I the Rescue, I Landed on Him | Adam Guettel | D Major | 2 | 10B | 81 BPM | ||
Muna Nyuwe | Richard Bona | C Major | 1 | 8B | 92 BPM | ||
Do Not Go My Love | Charlotte Hoather | F♯ Minor | 1 | 11A | 89 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia Orchestra | B♭ Minor | 0 | 3A | 79 BPM | ||
Last Man Down | Diamanda Galás | A Major | 3 | 11B | 176 BPM | ||
JAM 2 - Sand Castle Tapes version | Balthazar | C Major | 1 | 8B | 138 BPM | ||
La Entrega del Cuerpo | Neønymus | E Major | 2 | 12B | 78 BPM |
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